Williamsburg

French Brown Ochre is a warm brown somewhere in between milk chocolate and dark chocolate. Its tint is a mushroom color and like the other ochres, it mixes well without overpowering.

This violet is a substantial and rich - not subtle like the ethereal cobalts.

Very close to Cobalt Violet Deep, but extremely luminous. Strong and beautiful.

Richer, bluer and stronger than Violet Light. Has a beautiful, deep, opaque glow.

A popular ?Flesh Tint?. Can be used to create a wide range of mixes and tints.

Redder than Manganese Violet. Very close to Cobalt Violet Light but extremely opaque with good covering power.

Ethereal, delicate and sublime. Not a strong tinting color.

A true, clear pink with absolutely no yellow or orange. Inspired by Rembrandt?s 'Lady With a Pink'. Mixes cleanly.

A rich, intense color with extremely good covering power. Like a rose with a slight cool, bluish glow, but with a heart of orange.

A Quinacridone that fits perfectly between Williamsburg's red and violet shades.

A permanent, deep rich crimson with cool overtones and warm, yellowish undertones.

A touch warmer and slightly less translucent than Permanent Crimson.

Among the strongest Alizarin you can find. Incredibly beautiful, this shade is versatile because it can go sweet (pink) or sour (orange) very easily, depending on how it?s used.

A superb mixing color. The cleanest pinks, flesh tones, and violets can be made with it.

Cadmium Purple is like an opaque cherry, existing somewhere between Cadmium Red Purple and Quinacridone Violet.

A red so deep and bluish that it?s called purple. Very heavy, with extreme covering power.

A true cherry red that is slightly bluish.

This is a very useful bright red for mixing. It stays cleaner and clearer than most other reds in mixes. Warmer than Quinacridone Red.

A beautiful transparent, limpid pink. Like all ultramarines, this leans toward blue. Very close in feel to original Rose Madder, but more delicate.

An intense, exotic, blue relative of Quinacridone Red. Great clarity in mixing and glazing.